Smoked glass sculptures with submerged decoration in red and black.
Wedgwood Black Basalt Tankard, England, late 18th century, cylindrical form with wide band of oak leaves and branches to a textured ground, impressed upper-lowercase mark Late 18th century Wedgwood black basalt tankard. A sharp cylindrical form allows for rich textural depth in decorative relief on the bodies’ wall, with a wide band of oak leaves and gnarled branches. and leaves upon the outer side of the handle.
Flexible seating or footrest in ecological flexible polyurethane, CFC free, with internal anatomical rigid structure. There are two lateral slits to keep the elastic fabric in place. The cover is removable and comes in several colors.
Harris’ appreciation for the ‘relic’ in ceramics finds an intriguing space between mimicry and a rekindling or redistribution of ancient cultural form, her range of earthenware heavily inspired by and referencing aspects of oriental and etruscan pottery. This tea bowl is particularly reminiscent of traditional Japanese Raku ware in format & style, the vessels’ exterior wall a fusing African and Eastern motif — whilst the interior is finished with an attractive metallic gold glaze.
Two early 19th century Wedgwood teacups, each in Caneware with applied Rosso Antico fruiting vines in relief. The tan-coloured, unglazed stoneware was relatively rarely used for decorative or display objects over the period, more commonly used for cooking utensils or serving dishes — particularly a selection of game pie dishes — as Josiah Wedgwood recognised the ware’s potential for simulating an impression of pastry crust. Provenance: Property of the Saint Louis Art Museum, Sold to benefit the acquisition fund.
Two early 19th century Wedgwood teacups, each in Caneware with applied Rosso Antico fruiting vines in relief. The tan-coloured, unglazed stoneware was relatively rarely used for decorative or display objects over the period, more commonly used for cooking utensils or serving dishes — particularly a selection of game pie dishes — as Josiah Wedgwood recognised the ware’s potential for simulating an impression of pastry crust. Provenance: Property of the Saint Louis Art Museum, Sold to benefit the acquisition fund. ***RESHOOT?
Rajsthstan India- Ornate temple or palace shutters Measurements are for each panel.
Rajsthstan India- Ornate temple or palace shutters Measurements are for each panel.
Dynamic "Tensegrity" 714 Dining Table by Theodore Waddell for Cassina. Table with polished chromium plated steel frame. Crystal table, thickness 12 mm (0.5”), with bevelled edge under the top.
Terra dining table with circular cast stone top incised with bronze fingers over patinated bronze base