Worm

Judy Fox’s highly sexualised sea creatures explore the conception of gender and the rise of body issues from a psychological and sometimes uncomfortable angle, framing and questioning human imperatives as they jostle in context with the Cephalopodic form. A sense of hyper-reality, or real versus a new disarming fantasy, finds itself in Fox’s striking use of gradated colour — the artist building plush hues that seem almost chromatic with a casein paint, layered and masked.