Fetch

Satiral, gaudy; the work of Russell Biles has as much in common with a cheap souvenir as a sculptural artefact — levelling culture to take even swipes at celebrity, religion and politics. ‘Billary' riffs on the inseparable identity of the clintons, the slip cast figure literally joining the two as a totemic icon (traditionally emblematic of a specific tribe) hilst simultaneously suggesting that one is forever wearing the other as a token of identification.