Drunken - Royal Copenhagen

Joon explores the tattoo as a signifier for deeper avenues of identity — either as a vehicle for forming or furthering it, or simultaneously suppressing and subconsciously revealing agency in interplays of desire and fantasy. ‘Drunken - Royal Copenhagen’ is of a series of work which explores the theme through a combination of 3d modelling and renderings of porcelain in eye-popping, violently pop-culture referencing style, the co-option of the Royal Copenhagen “Blue Fluted” motif mirroring and subverting the origin of identity, first developed as a 17th century Western response to Ming and Qing dynasty porcelain design.