The running, vaporous form ‘Binetsu’ surmounts the limits of clay, Yosuke’s technical skill in hand-joining and connecting a series of puffy subdivisions finds a larger, more overarching biomorphic presence that gently rises and curls. The soft texture and simple white unglazed finish allow a calmness and rich interplay of shadow and definition upon the surface, and small organic apertures are encouraged or punctured through the shape to develop the sense of interaction in positive and negative space at different angles.