Decorative and Design

European with grape decoration.

Pietra Dura Gueridon, Italy, late 19th/early 20th century, large circular carved giltwood plaque inlaid with pink roses and a butterfly,

wheel-thrown and constructed grenade replica teapot with spout opening and lid. stoneware, glaze, steel ring + pin addition.

Part of two piece pitcher set.

Part of two piece pitcher set.

From the first edition of fifteen pieces designed for Américas River-Oaks restaurant in Houston, Texas, this lamps’ abstract, winged form is a reflected constant in the restaurant’s decor and Mozer’s practice in general — the architectural firm utilising a process in which every object and artwork in an environment is given equal consideration and allocated artistry. The light-source of the lamp has been embedded within the interior cavity of the cast bronze form, an emittance pronounced by the reflection caught in the rising wing or fin — a design intent on diffusing harsh or fixed illumination for a softer, balmier aura of light perfect for evening dining.

This work is from a series of plant stands revealing the artist's investigation of twisting techniques. An example from this series can be found in the permanent collection of the Philadelphia Museum of Art. Signed and dated to lower edge: [Albert Paley 1982]. literature: The Art of Albert Paley, Lucie-Smith, pg. 196 illustrates works from series

Gouda is a style of Dutch pottery named after the city of Gouda. Gouda pottery gained worldwide prominence in the early 20th century and remains highly desirable to collectors today. Gouda pottery is diverse and visually distinctive in appearance, typically illustrated with colourful and highly decorated Art Nouveau or Art Deco designs.

Produced by the Bohemian ceramic manufacturer Amphora, this vessel is typical of the Art Nouveau work produced in the region at the turn of the century. It incorporates undulating, asymmetrica motifs derived from the natural world--fanciful configurations of flora and fauna. This unique pastel amphora depicts two young ladies and one young man suspended among flowers. The figures peer into the vessel. The base of this vessel is identified with an “Amphora” mark and the Austrian crown.