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Burnt Baby Cannon The “Mad Potter of Biloxi”, George Ohr [1857-1918] was an American ceramicist celebrated from his freely expressive and experimental clay forms — prefiguring the modern Abstract-Expressionist movement with his strange and loose understandings of clay.  ‘Burnt Baby Cannon’ dumps functionality for a fascinating sculptural form, scaling down the body and appendages of the cannon to a strange, seemingly idle miniature now solely existent in the symbolic realm. Ohr’s use of particularly craggy and gritty clay (usually locally sourced from the Tchoutacabuffa river) lends a significant and effete textural depth, suggesting decay and the obsolete. https://hieronymusobjects.com/images/thumbs/0018902_burnt-baby-cannon.jpeg
Terra cotta Sculpture 2.50 inches 3.25 inches 4.25 inches
Picture of Burnt Baby Cannon
Picture of Burnt Baby Cannon
Picture of Burnt Baby Cannon
Picture of Burnt Baby Cannon
Picture of Burnt Baby Cannon
Picture of Burnt Baby Cannon
Picture of Burnt Baby Cannon

Burnt Baby Cannon

Manufacturer: Artist: George Ohr
The “Mad Potter of Biloxi”, George Ohr [1857-1918] was an American ceramicist celebrated from his freely expressive and experimental clay forms — prefiguring the modern Abstract-Expressionist movement with his strange and loose understandings of clay. ‘Burnt Baby Cannon’ dumps functionality for a fascinating sculptural form, scaling down the body and appendages of the cannon to a strange, seemingly idle miniature now solely existent in the symbolic realm. Ohr’s use of particularly craggy and gritty clay (usually locally sourced from the Tchoutacabuffa river) lends a significant and effete textural depth, suggesting decay and the obsolete.
Medium: Terra cotta
Dimensions: 3.25x2.50x4.25
Additional Info +

The “Mad Potter of Biloxi”, George Ohr [1857-1918] was an American ceramicist celebrated from his freely expressive and experimental clay forms — prefiguring the modern Abstract-Expressionist movement with his strange and loose understandings of clay.  ‘Burnt Baby Cannon’ dumps functionality for a fascinating sculptural form, scaling down the body and appendages of the cannon to a strange, seemingly idle miniature now solely existent in the symbolic realm. Ohr’s use of particularly craggy and gritty clay (usually locally sourced from the Tchoutacabuffa river) lends a significant and effete textural depth, suggesting decay and the obsolete.

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Hieronymus was established as an online gallery in 2014 to showcase the collection of the Richard and Alita Rogers Family Foundation.

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