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Untitled Op-art complexity and a shifting textural plane finds New Yorker Abrahams painting as a way to destabilise and redirect the viewer, the high contrasts and optical collisions conveying a sense of movement and dynamism that leaves a unique impression upon an individual. This piece breaks (comparatively) free of the grid and towards a massaging, wavelike composition, each hazy band forming and breaking in careful deployment of vertical strips of paint in varying thicknesses. http://hieronymusobjects.com/content/images/thumbs/0018055_untitled_1.jpeg Johnny Abrahams


Untitled

Op-art complexity and a shifting textural plane finds New Yorker Abrahams painting as a way to destabilise and redirect the viewer, the high contrasts and optical collisions conveying a sense of movement and dynamism that leaves a unique impression upon an individual. This piece breaks (comparatively) free of the grid and towards a massaging, wavelike composition, each hazy band forming and breaking in careful deployment of vertical strips of paint in varying thicknesses.
Artist: Johnny Abrahams

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Acrylic Paint-Canvas Painting 36.0000 inches 45.0000 inches 0.0000 inches