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Ultima Thule Alzamora’s figurative distortions search restlessly for a poetic function that conveys movement, thought and form pragmatically. ‘Ultima Thule’ connotes a passage of time as a physical object — a body warped and stretched symmetrically and seeming to occupy and move between two spaces. Multiple consciousness are captured in taffy-like fluidity. The artist's talent for material developed with his practice at the Polich Tallix foundry in New York, and here the use of porcelain  and a creamy, glossy glaze gives the work a nondescript surface and a full, resolved form. http://hieronymusobjects.com/content/images/thumbs/0019827_ultima-thule_1.jpeg Emil Alzamora


Ultima Thule

Alzamora’s figurative distortions search restlessly for a poetic function that conveys movement, thought and form pragmatically. ‘Ultima Thule’ connotes a passage of time as a physical object — a body warped and stretched symmetrically and seeming to occupy and move between two spaces. Multiple consciousness are captured in taffy-like fluidity. The artist's talent for material developed with his practice at the Polich Tallix foundry in New York, and here the use of porcelain  and a creamy, glossy glaze gives the work a nondescript surface and a full, resolved form.
Artist: Emil Alzamora

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Ceramic Sculpture 23.0000 inches 21.7500 inches 6.0000 inches