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Powermatic 'Disjunction No. 3' typifies Montgomery’s interest in junk, detritus and ruin as monument, the outpourings of his practice a miasma of industrial, apocalyptic or apocryphal degradation in clay form. The complexity of technology evades and fascinates the artist, but he also finds it something to distrust — and the decision to adroitly shape its likeness in clay and then to shatter its integrity speaks of a desire to refigure its position within the human condition. http://hieronymusobjects.com/content/images/thumbs/0029763_powermatic_1.jpeg Steven Montgomery


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'Disjunction No. 3' typifies Montgomery’s interest in junk, detritus and ruin as monument, the outpourings of his practice a miasma of industrial, apocalyptic or apocryphal degradation in clay form. The complexity of technology evades and fascinates the artist, but he also finds it something to distrust — and the decision to adroitly shape its likeness in clay and then to shatter its integrity speaks of a desire to refigure its position within the human condition.
Artist: Steven Montgomery

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Ceramic Sculpture 8.0000 inches 18.0000 inches 5.0000 inches